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Forward of the FIFA World Cup set to happen in Qatar this November, the Museum of Islamic Artwork (MIA), situated on a man-made island within the nation’s capital Doha, has been given a makeover.
As a part of a year-long amenities enhancement improve, the Museum of Islamic Artwork, designed by the architect I.M. Pei and opened in 2008, was the primary of a number of new museums created by the state-run company Qatar Museums. Occupying an space of 480,000 sq. toes, the museum sits on a man-made peninsula on the south finish of Doha Bay.
The amenities improve features a reimagining of the MIA’s assortment galleries, residence to Islamic artwork from the seventh to the twentieth centuries, together with uncommon manuscripts, ceramics, steel, glass, ivory, textiles, wooden, and treasured stones.
The galleries have been organized in keeping with historic and cultural themes, intervals and geography, permitting guests to look at a few of the marquee traditions of Islamic craftsmanship. MIA has additionally put in a brand new part on Islam in Southeast Asia, which focuses on the cross-pollination and trade of commerce, objects and concepts by the Islamic world and past.
Additionally as a part of the improve, a brand new customer path has been put in that gives a story extending from the artwork works on show, by to the historical past of the Gulf and wider Center East area. As nicely, the museum has offered new cellular and children-friendly assets to make the shows extra accessible.
“The intensive enhancement introduces a completely new storyline that takes guests on a complete journey,” says the MIA’s director, Julia Gonnella, including that the brand new structure supplies “a significant and enriching expertise for kids and households to discover the wealthy, huge historical past of the Islamic world by our unparalleled assortment.”
The improve is only one in a protracted record of expenditures Qatar Museums has been making of late, together with a money reward to the Metropolitan Museum of Artwork in New York Metropolis earlier this yr, designed to “help, amongst different issues, the Division of Islamic Artwork in addition to capital tasks throughout the museum.”
The Museum of Islamic Artwork. Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
Museum of Islamic Artwork Gallery 7—The Jap World: Early Iran and Centra Asia, a show of ceramic and steel artifacts from the Seljuq and the Ilkhanid interval (c. twelfth to 14th century C.E.) Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
The Museum of Islamic Artwork. Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
Museum of Islamic Artwork Gallery 11—Egypt and Syria, a view of the desk shows with metalwork and glass lamps from the Mamluk interval (finish of the thirteenth to the fifteenth century C.E.); within the background is the mosque and madrasa showcase. Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
The Museum of Islamic Artwork. Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
The Museum of Islamic Artwork. Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
The Museum of Islamic Artwork. Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
Museum of Islamic Artwork, Gallery 11—Egypt and Syria (thirteenth to sixteenth century C.E.) Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
The Museum of Islamic Artwork. Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
The Museum of Islamic Artwork. Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
The Museum of Islamic Artwork. Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
Museum of Islamic Artwork, Gallery 7—The Jap World: Early Iran and Centra Asia. The blue monkey (Iran, Kashan, 12 century C.E.) Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
Museum of Islamic Artwork, Gallery 7—The Jap World: Early Iran and Centra Asia. Frontal view of the Seljuq Stucco Panel, (twelfth century C.E.) Photograph: Chrysovalantis Lamprianidi. Courtesy of the Museum of Islamic Artwork / Qatar Museums © 2022.
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